ART219 — Printmaking III
5 , 3 lecture periods 3 lab periods Continuation of ART 214 . Includes experimentation with intaglio, multi-color possibilities with non-traditional compositions, relief and intaglio multi-processes, monoprint with multiple plates, and critical analysis. Demonstrate advanced problem-solving in traditional intaglio processes. Demonstrate advanced multi-process printing. Demonstrate expanded use of monotype printing with additional color plates and/or nontoxic processes. Discuss personal prints and engage critical analysis. Outline: Experimentation With Intaglio, Relief and/or Other Print Processes Creative combinations Viscosity printing Multi-Color Possibilities With Non-Traditional Compositions Two-color combinations, and/or shaped/cut plates Viscosity printing Combing Relief and Intaglio Multi-Processes Wood, zinc or copper Acrylic and/or acetate, transparent substrates for registration Chin colle or nontraditional collage processes Solarplates and ImageOn and/or solar/non-solar photo processes Expand on Monoprint With Multiple Plates, Offset or Varied Multiples Runs Creative combinations and registration Viscosity printing with oil-based or water-based inks Ghost prints with additional development Critical Analysis Use accurate print terminology of tools and processes in discussions/critiques Relate contemporary and historical references and solutions to personal work Final portfolio of intermediate to advanced prints
Prerequisites: ART214