TFT 1510 — Movement and Voice
This course explores forms and modes of stage movement and vocal technique as they pertain to theatre performance and the art of human expression. Investigations will explore theatrical movement techniques that may include, but are not limited to,the works of Moishe Feldenkrais, Frederick Alexander, Rudolf Laban, Wesley Balk, Ann Bogart, Frantic Asembly, and Tectonic Theater Companies. Vocal techniques will also be explored through a series of exercises which may include, but are not limited to, the works of Kristin Linklater and Edith Skinner. Participants will develop methods of critical analysis to interpret vocal and kinesthetic choices in performances of fully staged theater productions (recorded and live) as well as in class presentation of exercises throughout the semester. Participants will develop methods of critical analysis to interpret central elements of staged performance, specifically modes of acting and physical movement and vocal variation and expression. Participants will come to understand the ways in which building responsiveness and flexibility by freeing the body and voice of the limitations of habitual patterns. Critical assessment is placed on the utilization of learned techniques to create character, heighten response to others, and to enhance stage presence.